Solaine Leroux December 4, 2019 Alphabet
If the signs’ external form (which, it must be emphasized, had no particular significance) is ignored and only their phonetic value, number, and order are considered, the modern Hebrew alphabet may be regarded as a continuation of the original alphabet created more than 3,500 years ago. The Hebrew order of the letters seems to be the oldest. The earliest evidence that the Hebrew alphabet was learned systematically was left in the form of a schoolboy’s scribbling on the vertical face of the upper step of a staircase leading up to the palace at Tel Lakhish, in southern Israel.
The first fully phonemic script, the Proto-Canaanite script, later known as the Phoenician alphabet, is considered to be the first alphabet, and is the ancestor of most modern alphabets, including Arabic, Greek, Latin, Cyrillic, Hebrew, and possibly Brahmic. Peter T. Daniels, however, distinguishes an abugida or polysyllable, a set of geographers that represent consonant base letters which diacritics modify to represent vowels (as in Devanagari and other South Asian scripts), an abjured, in which letters predominantly or exclusively represent consonants (as in the original Phoenician, Hebrew or Arabic), and an ”alphabet”, a set of geographers that represent both vowels and consonants. In this narrow sense of the word the first ”true” alphabet was the Greek alphabet, which was developed on the basis of the earlier Phoenician alphabet.
The script was spread by the Phoenicians across the Mediterranean. In Greece, the script was modified to add vowels, giving rise to the ancestor of all alphabets in the West. It was the first alphabet in which vowels have independent letter forms separate from those of consonants. The Greeks chose letters representing sounds that did not exist in Greek to represent vowels. Vowels are significant in the Greek language, and the syllabicate Linear B script that was used by the Mycenaean Greeks from the 16th century BC had 87 symbols, including 5 vowels. In its early years, there were many variants of the Greek alphabet, a situation that caused many different alphabets to evolve from it.
Over the centuries, various theories have been advanced to explain the origin of alphabetic writing, and, since Classical times, the problem has been a matter of serious study. The Greeks and Romans considered five different peoples as the possible inventors of the alphabet—the Phoenicians, Egyptians, Assyrians, Cretans, and Hebrews. Among modern theories are some that are not very different from those of ancient days. Every country situated in or more or less near the eastern Mediterranean has been singled out for the honor. Egyptian writing, cuneiform, Cretan, hieroglyphic Hittite, the Cypriot syllabify, and other scripts have all been called prototypes of the alphabet. The Egyptian theory actually subdivides into three separate theories, according to whether the Egyptian hieroglyphic, the hierarchic, or the demotic script is regarded as the true parent of alphabetic writing. Similarly, the idea that cuneiform was the precursor of the alphabet may also be subdivided into those singling out Sumerian, Babylonian, or Assyrian cuneiform.
The Glagolitic alphabet was the initial script of the liturgical language Old Church Slavonic and became, together with the Greek uncial script, the basis of the Cyrillic script. Cyrillic is one of the most widely used modern alphabetic scripts, and is notable for its use in Slavic languages and also for other languages within the former Soviet Union. Cyrillic alphabets include the Serbian, Macedonian, Bulgarian, Russian, Belarusian and Ukrainian. The Glagolitic alphabet is believed to have been created by Saints Cyril and Methodist, while the Cyrillic alphabet was invented by Clement of Ohrid, who was their disciple. They feature many letters that appear to have been borrowed from or influenced by the Greek alphabet and the Hebrew alphabet.
Glen Warren Bowersock, Peter Robert Lamont Brown, Oleg Grabar. Late Antiquity: A Guide to the Post classical World. Harvard University Press, 1999.James R. Russell. Alphabets. ”Mastoc’ was a charismatic visionary who accomplished his task at a time when Armenia stood in danger of losing both its national identity, through partition, and its newly acquired Christian faith, through Sassanian pressure and reversion to paganism. By preaching in Armenian, he was able to undermine and co-opt the discourse founded in native tradition, and to create a counterweight against both Byzantine and Syriac cultural hegemony in the church. Mastoc’ also created the Georgian and Caucasian-Albanian alphabets, based on the Armenian model.”
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