Roial Bouvier November 21, 2019 Fruit
The yellow in green lends an elegant character to this color while the blue renders it warm. Light green reduces pressure. Symbolically green represents the power of nature and life and as such it is considered to be the most natural, relaxing, calming and balanced color. Red signals “stop” there is danger, while green signals “safe crossing” and thus reduces the tension in the body. Green can be used with ease in nurseries, and in children’s and teenagers’ rooms. The use of color green in nurseries will ensure a peaceful and comfortable transition into sleep for the baby. When green is used with more undertones of yellow, it clarifies the mind, and therefore can be used in teenagers’ rooms to foster success in school. The serenity of blue and the mental clarity achieved with yellow will have a good impact on them.
Sight starts developing after the 6th month in babies and development continues until the age of 10. Sight is one of the most important senses that connects us to the world. Light and color have a mesmerizing effect on us. On average, the human eye can perceive 150 different colors in visible light. This means a person with normal sight can differentiate between millions of different colors. Color is one of the most important characteristics that can help us assess, estimate and define an object. Each and every person has certain reactions stored in their perceptions and as such the perception of each color addresses the related emotion.
Abbott Handerson Thayer’s 1909 book Concealing-Coloration in the Animal Kingdom, completed by his son Gerald H. Thayer, argued correctly for the widespread use of crypts among animals, and in particular described and explained countershading for the first time. However, the Thayers spoilt their case by arguing that camouflage was the sole purpose of animal coloration, which led them to claim that even the brilliant pink plumage of the flamingo or the roseate spoonbill was cryptic—against the momentarily pink sky at dawn or dusk. As a result, the book was mocked by critics including Theodore Roosevelt as having ”pushed [the ”doctrine” of concealing coloration] to such a fantastic extreme and to include such wild absurdities as to call for the application of common sense thereto.
When cephalopod molluscs like squid and cuttlefish find themselves against a light background, they contract many of their chromatography, concentrating the pigment into a smaller area, resulting in a pattern of tiny, dense, but widely spaced dots, appearing light. When they enter a darker environment, they allow their chromatography to expand, creating a pattern of larger dark spots, and making their bodies appear dark. Amphibians such as frogs have three kinds of star-shaped chromatophore cells in separate layers of their skin. The top layer contains ’phosphorescent’ with orange, red, or yellow pigments; the middle layer contains ’sophomores’ with a silvery light-reflecting pigment; while the bottom layer contains ’melanophores’ with dark melanin.
Darwin explained such male-female differences in his theory of sexual selection in his book The Descent of Man. Once the females begin to select males according to any particular characteristic, such as a long tail or a colored crest, that characteristic is emphasized more and more in the males. Eventually all the males will have the characteristics that the females are sexually selecting for, as only those males can reproduce. This mechanism is powerful enough to create features that are strongly disadvantageous to the males in other ways. For example, some male birds of paradise have wing or tail streamers that are so long that they impede flight, while their brilliant colors may make the males more vulnerable to predators. In the extreme, sexual selection may drive species to extinction, as has been argued for the enormous horns of the male Irish elk, which may have made it difficult for mature males to move and feed.
Countershading was first described by the American artist Abbott Handerson Thayer, a pioneer in the theory of animal coloration. Thayer observed that whereas a painter takes a flat canvas and uses colored paint to create the illusion of solidity by painting in shadows, animals such as deer are often darkest on their backs, becoming lighter towards the belly, creating (as zoologist Hugh Cott observed) the illusion of flatness, and against a matching background, of invisibility. Thayer’s observation ”Animals are painted by Nature, darkest on those parts which tend to be most lighted by the sky’s light, and vice versa” is called Thayer’s Law.
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