Susanne Marin November 21, 2019 Alphabet
In the usual case, each alphabetic character represents either a consonant or a vowel rather than a syllable or a group of consonants and vowels. As a result, the number of characters required can be held to a relative few. A language that has 30 consonant sounds and five vowels, for example, needs at most only 35 separate letters. In a syllabify, on the other hand, the same language would require 30 × 5 symbols to represent each possible consonant-vowel syllable (e.g., separate forms for ba, be, bi, bo, bu; da, de, di; and so on) and an additional five symbols for the vowels, thereby making a total of 155 individual characters. Both syllables and alphabets are phonographic symbolization; that is, they represent the sounds of words rather than units of meaning.
When an alphabet is adopted or developed to represent a given language, an orthography generally comes into being, providing rules for the spelling of words in that language. In accordance with the principle on which alphabets are based, these rules will generally map letters of the alphabet to the phonemes (significant sounds) of the spoken language. In a perfectly phonemic orthography there would be a consistent one-to-one correspondence between the letters and the phonemes, so that a writer could predict the spelling of a word given its pronunciation, and a speaker would always know the pronunciation of a word given its spelling, and vice versa. However this ideal is not usually achieved in practice; some languages (such as Spanish and Finnish) come close to it, while others (such as English) deviate from it to a much larger degree.
Glen Warren Bowersock, Peter Robert Lamont Brown, Oleg Grabar. Late Antiquity: A Guide to the Post classical World. Harvard University Press, 1999.James R. Russell. Alphabets. ”Mastoc’ was a charismatic visionary who accomplished his task at a time when Armenia stood in danger of losing both its national identity, through partition, and its newly acquired Christian faith, through Sassanian pressure and reversion to paganism. By preaching in Armenian, he was able to undermine and co-opt the discourse founded in native tradition, and to create a counterweight against both Byzantine and Syriac cultural hegemony in the church. Mastoc’ also created the Georgian and Caucasian-Albanian alphabets, based on the Armenian model.”
Zhuyin (sometimes called Bopomofo) is a semi-syllabify used to phonetically transcribe Mandarin Chinese in the Republic of China. After the later establishment of the People’s Republic of China and its adoption of Hanyu Pinyin, the use of Zhuyin today is limited, but it is still widely used in Taiwan where the Republic of China still governs. Zhuyin developed out of a form of Chinese shorthand based on Chinese characters in the early 1900s and has elements of both an alphabet and a syllabify. Like an alphabet the phonemes of syllable initials are represented by individual symbols, but like a syllabify the phonemes of the syllable finals are not; rather, each possible final (excluding the medial glide) is represented by its own symbol. For example, luan is represented as (l-u-an), where the last symbol represents the entire final -an. While Zhuyin is not used as a mainstream writing system, it is still often used in ways similar to a roman system—that is, for aiding in pronunciation and as an input method for Chinese characters on computers and cellphones.
In default of other direct evidence, it is reasonable to suppose that the actual prototype of the alphabet was not very different from the writing of the earliest North Semitic inscriptions now extant, which belong to the last two or three centuries of the 2nd millennium bce. The North Semitic alphabet was so constant for many centuries that it is impossible to think that there had been any material changes in the preceding two to three centuries. Moreover, the North Semitic languages, based as they are on a consonant root (i.e., a system in which the vowels serve mainly to indicate grammatical or similar changes), were clearly suitable for the creation of a consonant alphabet.
The names were abandoned in Latin, which instead referred to the letters by adding a vowel (usually e) before or after the consonant; the two exceptions were Y and Z, which were borrowed from the Greek alphabet rather than Etruscan, and were known as Y Graeca ”Greek Y” (pronounced I Graeca ”Greek I”) and zeta (from Greek)—this discrepancy was inherited by many European languages, as in the term zed for Z in all forms of English other than American English. Over time names sometimes shifted or were added, as in double U for W (”double V” in French), the English name for Y, and American zee for Z. Comparing names in English and French gives a clear reflection of the Great Vowel Shift: A, B, C and D are pronounced, but in contemporary French they are /a, be, se, de/. The French names (from which the English names are derived) preserve the qualities of the English vowels from before the Great Vowel Shift. By contrast, the names of F, L, M, N and S remain the same in both languages, because ”short” vowels were largely unaffected by the Shift.
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