Hanrietta Marques December 3, 2019 Alphabet
At the end of the 2nd millennium bce, with the political decay of the great nations of the Bronze Age—the Egyptians, Babylonians, Assyrians, Hittites, and Cretans—a new historical world began. In Syria and Palestine, the geographical center of the Fertile Crescent, three nations—Israel, Phoenicia, and Aram—played an increasingly important political role. To the south of the Fertile Crescent, the Sabaeans, a South Arabian people (also Semites, though South Semites), attained a position of wealth and importance as commercial intermediaries between the East and the Mediterranean.
It is unknown whether the earliest alphabets had a defined sequence. Some alphabets today, such as the Hanuno’o script, are learned one letter at a time, in no particular order, and are not used for collation where a definite order is required. However, a dozen Ugaritic tablets from the fourteenth century BC preserve the alphabet in two sequences. One, the ABCDE order later used in Phoenician, has continued with minor changes in Hebrew, Greek, Armenian, Gothic, Cyrillic, and Latin; the other, was used in southern Arabia and is preserved today in Ethiopic. Both orders have therefore been stable for at least 3000 years.
To the west, seeds were sown among the peoples who later constituted the nation of Hellas—the Greeks. As a result, an alphabet developed with four main branches: the so-called Canaanite, or main branch, subdivided into Early Hebrew and Phoenician varieties;the Aramaic branch the South Semitic, or Sabaean, branch; and the Greek alphabet, which became the progenitor of the Western alphabets, including the Etruscan and the Latin. The Canaanite and Aramaic branches constitute the North Semitic main branch.
Glen Warren Bowersock, Peter Robert Lamont Brown, Oleg Grabar. Late Antiquity: A Guide to the Post classical World. Harvard University Press, 1999.James R. Russell. Alphabets. ”Mastoc’ was a charismatic visionary who accomplished his task at a time when Armenia stood in danger of losing both its national identity, through partition, and its newly acquired Christian faith, through Sassanian pressure and reversion to paganism. By preaching in Armenian, he was able to undermine and co-opt the discourse founded in native tradition, and to create a counterweight against both Byzantine and Syriac cultural hegemony in the church. Mastoc’ also created the Georgian and Caucasian-Albanian alphabets, based on the Armenian model.”
The Glagolitic alphabet was the initial script of the liturgical language Old Church Slavonic and became, together with the Greek uncial script, the basis of the Cyrillic script. Cyrillic is one of the most widely used modern alphabetic scripts, and is notable for its use in Slavic languages and also for other languages within the former Soviet Union. Cyrillic alphabets include the Serbian, Macedonian, Bulgarian, Russian, Belarusian and Ukrainian. The Glagolitic alphabet is believed to have been created by Saints Cyril and Methodist, while the Cyrillic alphabet was invented by Clement of Ohrid, who was their disciple. They feature many letters that appear to have been borrowed from or influenced by the Greek alphabet and the Hebrew alphabet.
Thus the primary classification of alphabets reflects how they treat vowels. For tonal languages, further classification can be based on their treatment of tone, though names do not yet exist to distinguish the various types. Some alphabets disregard tone entirely, especially when it does not carry a heavy functional load, as in Somali and many other languages of Africa and the Americas. Such scripts are to tone what abrades are to vowels. Most commonly, tones are indicated with diacritics, the way vowels are treated in abundances. This is the case for Vietnamese (a true alphabet) and Thai (an abugida). In Thai, tone is determined primarily by the choice of consonant, with diacritics for disambiguation. In the Pollard script, an abugida, vowels are indicated by diacritics, but the placement of the diacritic relative to the consonant is modified to indicate the tone. More rarely, a script may have separate letters for tones, as is the case for Hmong and Zhuang. For most of these scripts, regardless of whether letters or diacritics are used, the most common tone is not marked, just as the most common vowel is not marked in Indic abugidas; in Zhuyin not only is one of the tones unmarked, but there is a diacritic to indicate lack of tone, like the virama of Indic.
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