Trinetta Dasilva November 14, 2019 Alphabet
Among the various other theories concerning the alphabet are the hypotheses that the alphabet was taken by the Philistines from Crete to Palestine, that the various ancient scripts of the Mediterranean countries developed from prehistoric geometric symbols employed throughout the Mediterranean area from the earliest times, and that the proton-Sinaitic inscriptions (discovered since 1905 in the Sinai Peninsula) represent a stage of writing intermediate between the Egyptian hieroglyphics and the North Semitic alphabet. Another hypothesis, the Arthritic theory, evolved after an epoch-making discovery in 1929 (and the years following) at the site of the ancient Ugarit, on the Syrian coast opposite the most easterly cape of Cyprus. Thousands of clay tablets were found there, documents of inestimable value in many fields of research (including epigraphy, philology, and the history of religion). Dating from the 15th and 14th centuries bce, they were written in a cuneiform alphabet of 30 letters.
The evolution of the alphabet involved two important achievements. The first was the step taken by a group of Semitic-speaking people, perhaps the Phoenicians, on the eastern shore of the Mediterranean between 1700 and 1500 bce. This was the invention of a consonant writing system known as North Semitic. The second was the invention, by the Greeks, of characters for representing vowels. This step occurred between 800 and 700 bce. While some scholars consider the Semitic writing system an vocalized syllabify and the Greek system the true alphabet, both are treated here as forms of the alphabet.
In the usual case, each alphabetic character represents either a consonant or a vowel rather than a syllable or a group of consonants and vowels. As a result, the number of characters required can be held to a relative few. A language that has 30 consonant sounds and five vowels, for example, needs at most only 35 separate letters. In a syllabify, on the other hand, the same language would require 30 × 5 symbols to represent each possible consonant-vowel syllable (e.g., separate forms for ba, be, bi, bo, bu; da, de, di; and so on) and an additional five symbols for the vowels, thereby making a total of 155 individual characters. Both syllables and alphabets are phonographic symbolization; that is, they represent the sounds of words rather than units of meaning.
It can, however, be ascertained that the period from 1730 to 1580 bce in Syria, Palestine, and Egypt, during which there was an uprooting of established cultural and ethnic patterns in the Fertile Crescent, provided conditions favorable to the conception of an alphabetic script, a kind of writing that would be more accessible to larger groups of people, in contrast to the scripts of the old states of Mesopotamia and Egypt, which were confined largely to the priestly class.
Thus the primary classification of alphabets reflects how they treat vowels. For tonal languages, further classification can be based on their treatment of tone, though names do not yet exist to distinguish the various types. Some alphabets disregard tone entirely, especially when it does not carry a heavy functional load, as in Somali and many other languages of Africa and the Americas. Such scripts are to tone what abrades are to vowels. Most commonly, tones are indicated with diacritics, the way vowels are treated in abundances. This is the case for Vietnamese (a true alphabet) and Thai (an abugida). In Thai, tone is determined primarily by the choice of consonant, with diacritics for disambiguation. In the Pollard script, an abugida, vowels are indicated by diacritics, but the placement of the diacritic relative to the consonant is modified to indicate the tone. More rarely, a script may have separate letters for tones, as is the case for Hmong and Zhuang. For most of these scripts, regardless of whether letters or diacritics are used, the most common tone is not marked, just as the most common vowel is not marked in Indic abugidas; in Zhuyin not only is one of the tones unmarked, but there is a diacritic to indicate lack of tone, like the virama of Indic.
Originally, graphs were perhaps “motivated” pictorial signs that were subsequently used to represent the initial sound of the name of the pictured object. The North Semitic alphabet remained almost unaltered for many centuries.It includes the scratching of the first five letters of the early Hebrew alphabet in their conventional order, and it belongs to the 8th or 7th century bce.
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