Fayette Allard November 30, 2019 Alphabet
Zhuyin (sometimes called Bopomofo) is a semi-syllabify used to phonetically transcribe Mandarin Chinese in the Republic of China. After the later establishment of the People’s Republic of China and its adoption of Hanyu Pinyin, the use of Zhuyin today is limited, but it is still widely used in Taiwan where the Republic of China still governs. Zhuyin developed out of a form of Chinese shorthand based on Chinese characters in the early 1900s and has elements of both an alphabet and a syllabify. Like an alphabet the phonemes of syllable initials are represented by individual symbols, but like a syllabify the phonemes of the syllable finals are not; rather, each possible final (excluding the medial glide) is represented by its own symbol. For example, luan is represented as (l-u-an), where the last symbol represents the entire final -an. While Zhuyin is not used as a mainstream writing system, it is still often used in ways similar to a roman system—that is, for aiding in pronunciation and as an input method for Chinese characters on computers and cellphones.
The term ”alphabet” is used by linguists and paleographers in both a wide and a narrow sense. In the wider sense, an alphabet is a script that is segment at the phoneme level—that is, it has separate glyphs for individual sounds and not for larger units such as syllables or words. In the narrower sense, some scholars distinguish ”true” alphabets from two other types of segment script, abrades and abugidas. These three differ from each other in the way they treat vowels: abjads have letters for consonants and leave most vowels unexpressed; abugidas are also consonant-based, but indicate vowels with diacritics to or a systematic graphic modification of the consonants. In alphabets in the narrow sense, on the other hand, consonants and vowels are written as independent letters. The earliest known alphabet in the wider sense is the Wadi el-Hol script, believed to be an abjured, which through its successor Phoenician is the ancestor of modern alphabets, including Arabic, Greek, Latin (via the Old Italic alphabet), Cyrillic (via the Greek alphabet) and Hebrew
The Georgian alphabet is an alphabetic writing system. With 33 letters, it is the largest true alphabet where each letter is graphically independent.
Among the various other theories concerning the alphabet are the hypotheses that the alphabet was taken by the Philistines from Crete to Palestine, that the various ancient scripts of the Mediterranean countries developed from prehistoric geometric symbols employed throughout the Mediterranean area from the earliest times, and that the proton-Sinaitic inscriptions (discovered since 1905 in the Sinai Peninsula) represent a stage of writing intermediate between the Egyptian hieroglyphics and the North Semitic alphabet. Another hypothesis, the Arthritic theory, evolved after an epoch-making discovery in 1929 (and the years following) at the site of the ancient Ugarit, on the Syrian coast opposite the most easterly cape of Cyprus. Thousands of clay tablets were found there, documents of inestimable value in many fields of research (including epigraphy, philology, and the history of religion). Dating from the 15th and 14th centuries bce, they were written in a cuneiform alphabet of 30 letters.
Originally, graphs were perhaps “motivated” pictorial signs that were subsequently used to represent the initial sound of the name of the pictured object. The North Semitic alphabet remained almost unaltered for many centuries.It includes the scratching of the first five letters of the early Hebrew alphabet in their conventional order, and it belongs to the 8th or 7th century bce.
Glen Warren Bowersock, Peter Robert Lamont Brown, Oleg Grabar. Late Antiquity: A Guide to the Post classical World. Harvard University Press, 1999.James R. Russell. Alphabets. ”Mastoc’ was a charismatic visionary who accomplished his task at a time when Armenia stood in danger of losing both its national identity, through partition, and its newly acquired Christian faith, through Sassanian pressure and reversion to paganism. By preaching in Armenian, he was able to undermine and co-opt the discourse founded in native tradition, and to create a counterweight against both Byzantine and Syriac cultural hegemony in the church. Mastoc’ also created the Georgian and Caucasian-Albanian alphabets, based on the Armenian model.”
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