Fawnia Lucas December 4, 2019 Alphabet
When an alphabet is adopted or developed to represent a given language, an orthography generally comes into being, providing rules for the spelling of words in that language. In accordance with the principle on which alphabets are based, these rules will generally map letters of the alphabet to the phonemes (significant sounds) of the spoken language. In a perfectly phonemic orthography there would be a consistent one-to-one correspondence between the letters and the phonemes, so that a writer could predict the spelling of a word given its pronunciation, and a speaker would always know the pronunciation of a word given its spelling, and vice versa. However this ideal is not usually achieved in practice; some languages (such as Spanish and Finnish) come close to it, while others (such as English) deviate from it to a much larger degree.
In the usual case, each alphabetic character represents either a consonant or a vowel rather than a syllable or a group of consonants and vowels. As a result, the number of characters required can be held to a relative few. A language that has 30 consonant sounds and five vowels, for example, needs at most only 35 separate letters. In a syllabify, on the other hand, the same language would require 30 × 5 symbols to represent each possible consonant-vowel syllable (e.g., separate forms for ba, be, bi, bo, bu; da, de, di; and so on) and an additional five symbols for the vowels, thereby making a total of 155 individual characters. Both syllables and alphabets are phonographic symbolization; that is, they represent the sounds of words rather than units of meaning.
In German, words starting with sch which spells the German phoneme are inserted between words with initial sca- and sci- (all incidentally loanwords) instead of appearing after initial sz, as though it were a single letter—in contrast to several languages such as Albanian,(all representing phonemes and considered separate single letters) would follow the letters d, e, g, l, n, r, t, x and z respectively, as well as Hungarian and Welsh. Further, German words with umlaut are collated ignoring the umlaut—contrary to Turkish that adopted the graphemes o and u, and where a word like tufek, would come after tuz, in the dictionary. An exception is the German telephone directory where umlauts are sorted like since names such as Jogger also appear with the spelling Jaeger, and are not distinguished in the spoken language.
The word alphabet, from the first two letters of the Greek alphabet—alpha and beta—was first used, in its Latin form, alphabet, by Tertullian (2nd–3rd century ce), a Latin ecclesiastical writer and Church Father, and by St. Jerome. The Classical Greeks customarily used the plural of to grammar (“the letter”); the later form alphabet was probably adopted under Latin influence.
Thus the primary classification of alphabets reflects how they treat vowels. For tonal languages, further classification can be based on their treatment of tone, though names do not yet exist to distinguish the various types. Some alphabets disregard tone entirely, especially when it does not carry a heavy functional load, as in Somali and many other languages of Africa and the Americas. Such scripts are to tone what abrades are to vowels. Most commonly, tones are indicated with diacritics, the way vowels are treated in abundances. This is the case for Vietnamese (a true alphabet) and Thai (an abugida). In Thai, tone is determined primarily by the choice of consonant, with diacritics for disambiguation. In the Pollard script, an abugida, vowels are indicated by diacritics, but the placement of the diacritic relative to the consonant is modified to indicate the tone. More rarely, a script may have separate letters for tones, as is the case for Hmong and Zhuang. For most of these scripts, regardless of whether letters or diacritics are used, the most common tone is not marked, just as the most common vowel is not marked in Indic abugidas; in Zhuyin not only is one of the tones unmarked, but there is a diacritic to indicate lack of tone, like the virama of Indic.
Only very few inscriptions have been found in Phoenicia proper. This rarity of indigenous documents is in contrast to the numbers of Phoenician inscriptions found elsewhere—on Cyprus, Malta, Sicily, and Sardinia, and in Greece, North Africa, Marseille, Spain, and other places.
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