Darcell Roger November 20, 2019 Alphabet
The word alphabet, from the first two letters of the Greek alphabet—alpha and beta—was first used, in its Latin form, alphabet, by Tertullian (2nd–3rd century ce), a Latin ecclesiastical writer and Church Father, and by St. Jerome. The Classical Greeks customarily used the plural of to grammar (“the letter”); the later form alphabet was probably adopted under Latin influence.
The Proto-Sinaitic script eventually developed into the Phoenician alphabet, which is conventionally called ”Proto-Canaanite” before ca. 1050 BC. The oldest text in Phoenician script is an inscription on the sarcophagus of King Ahiram. This script is the parent script of all western alphabets. By the tenth century, two other forms can be distinguished, namely Canaanite and Aramaic. The Aramaic gave rise to the Hebrew script. The South Arabian alphabet, a sister script to the Phoenician alphabet, is the script from which the Ge’ez alphabet (an abugida) is descended. Vowel less alphabets are called abrades, currently exemplified in scripts including Arabic, Hebrew, and Syriac. The omission of vowels was not always a satisfactory solution and some ”weak” consonants are sometimes used to indicate the vowel quality of a syllable (matres lectionis). These letters have a dual function since they are also used as pure consonants.
Thus the primary classification of alphabets reflects how they treat vowels. For tonal languages, further classification can be based on their treatment of tone, though names do not yet exist to distinguish the various types. Some alphabets disregard tone entirely, especially when it does not carry a heavy functional load, as in Somali and many other languages of Africa and the Americas. Such scripts are to tone what abrades are to vowels. Most commonly, tones are indicated with diacritics, the way vowels are treated in abundances. This is the case for Vietnamese (a true alphabet) and Thai (an abugida). In Thai, tone is determined primarily by the choice of consonant, with diacritics for disambiguation. In the Pollard script, an abugida, vowels are indicated by diacritics, but the placement of the diacritic relative to the consonant is modified to indicate the tone. More rarely, a script may have separate letters for tones, as is the case for Hmong and Zhuang. For most of these scripts, regardless of whether letters or diacritics are used, the most common tone is not marked, just as the most common vowel is not marked in Indic abugidas; in Zhuyin not only is one of the tones unmarked, but there is a diacritic to indicate lack of tone, like the virama of Indic.
To the west, seeds were sown among the peoples who later constituted the nation of Hellas—the Greeks. As a result, an alphabet developed with four main branches: the so-called Canaanite, or main branch, subdivided into Early Hebrew and Phoenician varieties;the Aramaic branch the South Semitic, or Sabaean, branch; and the Greek alphabet, which became the progenitor of the Western alphabets, including the Etruscan and the Latin. The Canaanite and Aramaic branches constitute the North Semitic main branch.
The names were abandoned in Latin, which instead referred to the letters by adding a vowel (usually e) before or after the consonant; the two exceptions were Y and Z, which were borrowed from the Greek alphabet rather than Etruscan, and were known as Y Graeca ”Greek Y” (pronounced I Graeca ”Greek I”) and zeta (from Greek)—this discrepancy was inherited by many European languages, as in the term zed for Z in all forms of English other than American English. Over time names sometimes shifted or were added, as in double U for W (”double V” in French), the English name for Y, and American zee for Z. Comparing names in English and French gives a clear reflection of the Great Vowel Shift: A, B, C and D are pronounced, but in contemporary French they are /a, be, se, de/. The French names (from which the English names are derived) preserve the qualities of the English vowels from before the Great Vowel Shift. By contrast, the names of F, L, M, N and S remain the same in both languages, because ”short” vowels were largely unaffected by the Shift.
The boundaries between the three types of segment scripts are not always clear-cut. For example, Sorani Kurdish is written in the Arabic script, which is normally an abjured. However, in Kurdish, writing the vowels is mandatory, and full letters are used, so the script is a true alphabet. Other languages may use a Semitic abjured with mandatory vowel diacritics, effectively making them abugidas. On the other hand, the Phagspa script of the Mongol Empire was based closely on the Tibetan abugida, but all vowel marks were written after the preceding consonant rather than as diacritic marks. Although short a was not written, as in the Indic abugidas, one could argue that the linear arrangement made this a true alphabet. Conversely, the vowel marks of the Tigrinya abugida and the Amharic abugida (ironically, the original source of the term ”abugida”) have been so completely assimilated into their consonants that the modifications are no longer systematic and have to be learned as a syllabify rather than as a segment script. Even more extreme, the Pahlavi abjured eventually became logographic.
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